A mirror hung on the wall. I saw a face reflected in it, but I did not recognise myself.

Aleksandra

My name is Aleksandra Wierzbowska, and I am 28 years old. At the age of 13, I started climbing. With my small hands, I explored rough holds, looking down at the world beneath me and feeling that my path forward would always lead upward. In doing so, I continued my family’s mountaineering tradition—a passion my grandfather passed on to my father, along with a collection of books, letters, and photographs.

The mountains awakened my curiosity about the world. After finishing high school, I flew to Iceland, a place I had dreamt of since childhood. It was my first solo journey, a gateway to the long and distant roads I would follow for years to come. I trekked through the interior—the island’s raw and desolate heart. I learned how to pitch a tent in hurricane-force winds and how to fall asleep as the sun lingered on the horizon, as if, at the last moment, it had remembered it had left something in the sky. I discovered myself both in solitude and among strangers, through cold, hunger, and awe at nature’s stark beauty.

©2024 Jadwiga Brontē & Aleksandra Wierzbowska

Let’s Talk About Rape® is a collaborative project with a therapeutic approach, where survivors set their own agenda and use a shutter release cable to take self-portraits as a powerful tool for healing and reclaiming their narrative. 

Warszawa, Poland 2024

The following years were spent on the road—cycling across the Balkans, trekking through the Scandinavian mountains, the British wilderness, and Himalayan trails. I climbed in the Alps, the Tatras, and the Caucasus.

Three years later, I reached the United States. I longed to visit places dedicated to Alexander von Humboldt and to test my climbing skills in Yosemite—a legendary destination in the climbing world.

I sent accommodation requests on Couchsurfing—a popular platform for travellers, where hosts offer a place to stay in exchange for shared time and travel stories. I received a response from a well-recommended host, who said that he would be hosting three travellers from Europe that night—two women and a man. He welcomed me to stay. I arrived at the given address near Venice Beach. The spacious apartment, with its white walls and ocean-view terrace, gave me a sense of ease.

That evening, the two women went out, only to return with tears in their eyes. One had twisted her ankle. They gathered their things and left for the hospital.

In the meantime, the host asked the male traveller to leave, suggesting he set up his tent on the beach. I didn’t understand what was happening. I didn’t want him to go. I asked if I could join him, but he refused, saying the beach was unsafe. I thought about the two women, who should have been returning from the hospital. I set my alarm for dawn and fell asleep. That is the last memory my mind has preserved in full.

The next fragment of my memory is of suddenly waking up, a man’s figure looming over me. I felt like a deeply rooted tree, silently screaming, frozen—though I had always imagined I would fight, that I would scream with all my might, that an unstoppable force would rise within me, and that, bloodied but free, I would run to the police. But instead, there was silence. My connection to reality faded, like a signal lost among desert dunes.

A mirror hung on the wall. I saw a face reflected in it, but I did not recognise myself.

That night, I was raped. That night, I was just trying to survive. I do not remember the touch of his hands. I abandoned my body and did not return to it for a long time. I took my belongings and left the apartment, but the Aleksandra I used to be remained in that distant bed overlooking the ocean.

The man who reached for me in my defenceless sleep sent me on the loneliest journey of my life—into a desert where I took root just to stay alive. I became empty and silent. The memories came later, along with the questions—where do I end, and where does the trauma begin? Is there a core of me that remains untouched by violence? Who would I be if not for the rape?

Breaking the silence and granting myself the right to my own story gave me strength and accelerated my healing. After the rape, I thought my life was over. Today, I believe it has taken on a new meaning. My experiences are not just scars—they are also tools. My body is not just a crime scene. It is a symbol of strength and resistance. I cannot undo what happened, but I can choose where this experience takes me.

Aleksandra

Behind the scenes. Warszawa, Poland ©2024 Jadwiga Brontē

With the return of memory came a painful process of breaking apart and mourning the person I was and would never be again. I felt every unwanted touch. And once more, I wished to cast off my body—to cut it, to hide it, to starve it. The body that was meant to carry me through life, to lift me to mountain peaks, had become the object of unwanted desire, the scene of a crime.

Memories of many other situations where my boundaries had been crossed came back—exhibitionists I encountered during my running training, molestation at a young age, unsolicited pornographic content sent by strangers on social media, stalking. For the first time, I consciously allowed myself to name them as violence.

I spent three months in a psychiatric day clinic, undergoing hours of therapy each day. It was a time of panic attacks, staring into the abyss, breathlessness, and nightmares in which the memories I had repressed returned. This time, I chose to face them—to feel them, to step into the darkness and walk through it. I cried until I felt relief, and then the words came.

Breaking the silence and granting myself the right to my own story gave me strength and accelerated my healing. After the rape, I thought my life was over. Today, I believe it has taken on a new meaning. My experiences are not just scars—they are also tools. My body is not just a crime scene. It is a symbol of strength and resistance. I cannot undo what happened, but I can choose where this experience takes me. I believe that even in the worst soil, goodness can take root. That is why I created Droga Kobiet—a project aimed at combating sexual violence in travel communities (and beyond) and initiating open discussions on the subject. Violence thrives in silence, so we must speak out.

I have chosen to write this story because I believe the voices of survivors must be heard. I refuse to accept unwanted verbal advances, uninvited touches on public transport, or the conditioning of professional opportunities on my willingness to allow personal boundaries to be crossed. I refuse to pay a far higher price than my male colleagues to pursue my dreams or to have my refusal ignored as hands greedily reach for our bodies. If that puts me in opposition to the world, so be it.

Evil must always be resisted, no matter what form it takes or how normalised it has become. And though the mechanisms of violence are layered, and change may come through evolution rather than revolution, it is our duty to start that change now.

Behind the scenes. Warszawa, Poland ©2024 Jadwiga Brontē

Behind the scenes. Warszawa, Poland ©2024 Jadwiga Brontē